You can RSVP on the New Media Scotland Facebook Group or Eventbrite page.

Hope to see you there!

edit: as I’ve said in the comments, thanks to all who came by! I’ll post photos as soon as I get them from the Apple Store, in the mean time here is one of the mushrooms set up with the laser:

This all came about when Patrick showed me some videos he had made using closeup footage of a laser pointed underneath a protected mushroom – as you will see in the footage below, it’s absolutely gorgeous. I loved how shining a laser revealed a whole hidden world that to me had an intrinsically artistic and musical quality.

Anyway, we decided to collaborate and make an installation that would turn the patterns of those falling spores into music. We were awarded an Alt-W grant from New Media Scotland for the idea, and we have been working on it for the past few weeks. This video gives a bit of an introduction to what we are doing:

One interesting (and unexpected) outcome of tracking the spores to make music is that you end up with a really fascinating data set. This image represent the notes on a piano roll being triggered by three different mushroom spore video feeds – you can see the different patterns created by the different mushrooms.

It’s a big project, and it will take a few more blog posts to explain it all, so if you have any questions please let me know and I will address them as well as I can!

You can also watch a video of us playing it together at home. This version has a pretty different feel:

You can download the mp3 of the video version here!

This performance was part of a Cryptic Night with fellow artist Rachel Maclean. The night featured videos by the both of us (including my “Penalty Shootout” and “A story about techno”), a wacky Q & A session, and my performance, which was specifically commissioned for this night.

Exercise Magic!! was based around an exercise video (Real Results with Beverley Callard). I donned a specially designed suit designed by Kristina Johansen containing Wii remotes – you can read through the process she went through to make it on her website. The wiimotes, and a wii balance board on the floor, sent data to custom built Max/MSP/Jitter patches, which controlled the video and audio in real time based on my movements. If you’re interested, you can see a screenshot of that patch in my previous post.

The performance started off with me entering the stage and warming up, before beginning to exercise along with Beverley and Co. Slowly, though, my movements started to create strange sounds that clashed with the perfect world of the video. Eventually the lines began to blur between who was controlling who – was I following the video, or controlling it? Throw in some jamming remixes of the exercise music and you get the idea of Exercise Magic!!

I hope to do this performance again at some point soon, and develop it even further. For now, here is a video that shows the first couple of minutes…it was very dark in there so it’s not great quality, but I hope you get the idea.

Photos by Tamara Polajnar

Working with Sarah and Peter Gregson, cellist extraordinaire, I developed some custom software (using Arduino, Max/MSP, and Ableton Live) which allowed Peter to manipulate his own playing through his movements in real time. Here’s a video we made during rehearsals:

I don’t have a video of us showing it off at the conference, unfortunately…it was just too busy! But I think it went really well and if all goes well we’ll be developing this project further.

This trip was possible thanks to support from the Scottish Arts Council and New Media Scotland.

The rest of the conference was absolutely fantastic, the highlight for me being an incredible “bodyhack” studio workshop with Daito Manabe + company. The TEI folk made a great little end-of-conference video about the studio workshops (featuring music by yours truly!):

Here is a video that documents the installation itself:

Tomorrow I’ll be giving a talk about the Gelkies to the fabulous folks from Central Station as part of their exciting Dundee Pop-Up tour. Looking forward to it!

The early balloon flights triggered a phase of public “balloonmania”, with all manner of objects decorated with images of balloons or styled au ballon, from ceramics to fans and hats. Clothing au ballon was produced with exaggerated puffed sleeves and rounded skirts, or with printed images of balloons. Hair was coiffed à la montgolfier, au globe volant, au demi-ballon, or à la Blanchard.

Monsieur Blanchard made a career out of ballooning, and ended up touring America and Europe, wowing George Washington and four future presidents on one day alone. He also teamed up with Sébastien Lenormand, the inventor of the parachute, endorsing it as a great way to escape safely from a hot air balloon (the parachute had been invented as a means to escape from burning buildings, but Blanchard had a one-track mind). Blanchard took his obsession slightly too far, and eventually had a heart attack whilst inside the balloon and fell out and died. His wife suffered a similar fate a few years later (which was documented by Norwich Duff, born down the street from me in Edinburgh), though not before she was proclaimed the “Official Aeronaut of the Restoration” by Louis XVIII.

For his part, John Jeffries studied medicine in Edinburgh, was a Loyalist who was involved in the Boston Massacre trial (he testified that in Ireland the soldiers would have fired even sooner) and was a surgeon for the British Navy during the occupation of Boston. Also, this fascinating article claims that he and Blanchard pretty much hated each other, and may have killed a small dog during their journey.

All of this reminded me of another balloon journey that took place much later – the ill-fated attempt by S.A. Andrée and his two assistants, Nils Strindberg and Knut Frænkel.

Mr. Andrée was a Swedish engineer with a passion for ballooning who got caught up in all of the turn-of-the-century excitement surrounding polar exploration. He combined these two interests and formulated a plan for travelling across the North Pole in a balloon from Sweden to Canada. His plans were based on completely unproven and blatantly impossible theories (steering a balloon with ropes, for example), but his enthusiasm appealed to the Swedish power structures at the time, which were concerned that their supposedly inferior neighbors Norway were winning the polar exploration race (who eventually won is disputed, but the Swedes certainly didn’t end up doing that well at all). The Swedish Academy approved his plan and funded his project.

The expedition was doomed from the start. The balloon couldn’t hold air, the steering mechanism didn’t work, they didn’t bring enough food, and their clothing was totally unsuitable. After a disastrous first attempt, one of Andrée’s assistants quit, and was replaced by Knut Frænkel (who seems to have been younger and less critical). They finally took off in 1897. The steering ropes and seven hundred and forty kilograms of weight were jettisoned within a few minutes of takeoff. The flight lasted 10 hours, followed by 41 hours of bumping along the ice before they landed. The three of them wandered around the ice floes for three months (with Knut taking lots of lovely photographs) before dying, probably from contracting a disease by eating raw Polar Bear meat. Their bodies were found 33 years later and they were returned to Sweden as national heroes.

And 75 years later, my brother Cory and I read about this expedition and wrote a song about it! It’s called “The Ballad of Knut and Nils”, and you can listen to it right here:

The song features me on guitar, recorded in Pittsburgh, and my brother on a Bolivian Charango (which was subsequently destroyed by British Airways). It is on our album “Sediment”, which you can buy simply by emailing me (rolo at theamazingrolo.net).

I also can’t help thinking that this all somehow relates to Mujik, with the balloon thing and all. Hmmmm.

images from the Library of Congress and of course the Wikipedia entry on S.A. Andrée’s balloon expedition.