Working with Sarah and Peter Gregson, cellist extraordinaire, I developed some custom software (using Arduino, Max/MSP, and Ableton Live) which allowed Peter to manipulate his own playing through his movements in real time. Here’s a video we made during rehearsals:

I don’t have a video of us showing it off at the conference, unfortunately…it was just too busy! But I think it went really well and if all goes well we’ll be developing this project further.

This trip was possible thanks to support from the Scottish Arts Council and New Media Scotland.

The rest of the conference was absolutely fantastic, the highlight for me being an incredible “bodyhack” studio workshop with Daito Manabe + company. The TEI folk made a great little end-of-conference video about the studio workshops (featuring music by yours truly!):

Here is a video that documents the installation itself:

Tomorrow I’ll be giving a talk about the Gelkies to the fabulous folks from Central Station as part of their exciting Dundee Pop-Up tour. Looking forward to it!

The early balloon flights triggered a phase of public “balloonmania”, with all manner of objects decorated with images of balloons or styled au ballon, from ceramics to fans and hats. Clothing au ballon was produced with exaggerated puffed sleeves and rounded skirts, or with printed images of balloons. Hair was coiffed à la montgolfier, au globe volant, au demi-ballon, or à la Blanchard.

Monsieur Blanchard made a career out of ballooning, and ended up touring America and Europe, wowing George Washington and four future presidents on one day alone. He also teamed up with Sébastien Lenormand, the inventor of the parachute, endorsing it as a great way to escape safely from a hot air balloon (the parachute had been invented as a means to escape from burning buildings, but Blanchard had a one-track mind). Blanchard took his obsession slightly too far, and eventually had a heart attack whilst inside the balloon and fell out and died. His wife suffered a similar fate a few years later (which was documented by Norwich Duff, born down the street from me in Edinburgh), though not before she was proclaimed the “Official Aeronaut of the Restoration” by Louis XVIII.

For his part, John Jeffries studied medicine in Edinburgh, was a Loyalist who was involved in the Boston Massacre trial (he testified that in Ireland the soldiers would have fired even sooner) and was a surgeon for the British Navy during the occupation of Boston. Also, this fascinating article claims that he and Blanchard pretty much hated each other, and may have killed a small dog during their journey.

All of this reminded me of another balloon journey that took place much later – the ill-fated attempt by S.A. Andrée and his two assistants, Nils Strindberg and Knut Frænkel.

Mr. Andrée was a Swedish engineer with a passion for ballooning who got caught up in all of the turn-of-the-century excitement surrounding polar exploration. He combined these two interests and formulated a plan for travelling across the North Pole in a balloon from Sweden to Canada. His plans were based on completely unproven and blatantly impossible theories (steering a balloon with ropes, for example), but his enthusiasm appealed to the Swedish power structures at the time, which were concerned that their supposedly inferior neighbors Norway were winning the polar exploration race (who eventually won is disputed, but the Swedes certainly didn’t end up doing that well at all). The Swedish Academy approved his plan and funded his project.

The expedition was doomed from the start. The balloon couldn’t hold air, the steering mechanism didn’t work, they didn’t bring enough food, and their clothing was totally unsuitable. After a disastrous first attempt, one of Andrée’s assistants quit, and was replaced by Knut Frænkel (who seems to have been younger and less critical). They finally took off in 1897. The steering ropes and seven hundred and forty kilograms of weight were jettisoned within a few minutes of takeoff. The flight lasted 10 hours, followed by 41 hours of bumping along the ice before they landed. The three of them wandered around the ice floes for three months (with Knut taking lots of lovely photographs) before dying, probably from contracting a disease by eating raw Polar Bear meat. Their bodies were found 33 years later and they were returned to Sweden as national heroes.

And 75 years later, my brother Cory and I read about this expedition and wrote a song about it! It’s called “The Ballad of Knut and Nils”, and you can listen to it right here:

The song features me on guitar, recorded in Pittsburgh, and my brother on a Bolivian Charango (which was subsequently destroyed by British Airways). It is on our album “Sediment”, which you can buy simply by emailing me (rolo at theamazingrolo.net).

I also can’t help thinking that this all somehow relates to Mujik, with the balloon thing and all. Hmmmm.

images from the Library of Congress and of course the Wikipedia entry on S.A. Andrée’s balloon expedition.

Mujik Classik is a free introduction into the wonderful world of Mujik, where fireflies inhabit a musical library full of books and balloons…a curious world which you can explore to make your own music in a fun and lovely way! Mujik is brought to you by Lucky Frame, which is made up of myself, Jonathan Brodsky, and Mike Greer.

Go and download now! It’s free! And lovely!

This festival was extremely well documented, though a dedicated site called Switchboard. From there I was able to find this video documenting the Micro Maker Faire, featuring yours truly showing off the Gelkies and LoopMachine:

You can also listen to the Sound Pit discussion in it’s entirety right here!

Sound Pit @ MYLiIT by switchboardthree

Thanks to everyone on the May You Live in Interesting Times team for a fantastic time!

Sound and Vision explores the influence of sound and music on artists’ work, revealing a distinctive stylistic approach to film-making. Artists such as Katy Dove and Craig Mullholland integrate experimental music into their practice whilst others, including Sam Spreckley and Will Duke, use a range of manipulated sound recordings to create unsettling soundtracks.

If you happen to be in Scotland be sure to check this out, it’s at the Dean Gallery and is completely free!